There have been famous walls throughout history, designed to keep people in, or keep people out, or both: the walls of Jericho, the Great Wall of China, Hadrian’s Wall, the Berlin Wall, Israel’s West Bank Wall . . .
One of the early poems of Robert Frost (1874-1963) is called “Mending Wall” and was published in 1914.
The narrator of the poem describes how each year in Spring he and his neighbor meet to walk the wall separating their properties to inspect and make repairs. The speaker sees no reason for a wall when there is no stock to be confined, when there are only apple and pine trees, but his neighbour simply replies “Good fences make good neighbors”.
Some interesting images and themes:
- Each Spring they repair the wall from damage caused by hunters and nature. The wall keeps falling, they keep putting the rocks back, much like Sisyphus, the mythological figure who was condemned to push a boulder to the top of a high hill, only to have it roll down each time he gets it to the top, and force him to do it all again.
- The speaker envisages two types of people: wall builders and wall breakers, those who want walls and the barriers they create and those who feel that such barriers should be assessed in terms of need: “… I’d ask to know / What I was walling in or walling out, / And to whom I was like to give offense.”
- Yet it is the speaker who initiates the contact each Spring, acknowledging that the speaker may well feel that the wall makes good neighbors.
- On a broader symbolic level, the wall represents order out of chaos, boundaries, orderliness.
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Mending Wall
Robert Frost, 1874 - 1963
Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!'
We wear our fingers rough with handling them.
Oh, just another kind of outdoor game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbors.'
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
'Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn’t love a wall,
That wants it down.' I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbors.'
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